I know when to stop but I just like keep going.
Oh look more air…
Oops… I may have had a few too many gin and tonics… You know to keep the covid away…
Apparently you do not grok the connotative context that I’ve been speaking about here in my previous posts in this thread, regarding contextual “airiness” imbued in the recording, in the context of the OP’s quoted statement above.
I understand folks may want to sweeten to taste or manipulate phase/timing/frequency amplitude through subsequent EQ and room-correction DSP. or to compensate for hearing anomalies… However, you cannot synthesize “air” that was never captured by the original recording… whether this is digital or analog…. You only create a synthetic iteration of the original source signal… The ability of any given DAC to be able to transparently reproduce the captured “airiness” of any given recorded performance is the point of the OP’s statement… Not whether the effect of boosting a range of frequencies substitues as recorded “Air”… Again, I am not talking about creative uses of EQ and the employment of room-correction DSP under subjective conditions.
My previous response to you in the context of the OP’s statement …
If the ‘air’ is not recorded at source, eq on playback won’t make it so.
Yes… The only thing the ‘AIR’ control on an equalizer will do on a source signal, is to boost harmonics of high-frequencies that were captured in the recording and harmonic equalizers will synthesize a new set of harmonics based on the fundamentals that exist in the source signal.